During most sports replays and bumpers are cut with some form of propritary edit controller, like EVS for example. I've worked in many-a TV truck, but never on a production as big as say... the Super Bowl. It seems the larger the production, the more off the shelf hardware they use! During last year's Super Bowl, all of the live broadcast bumpers were cut using Final Cut Pro. Granted, the systems use broadcast standard KONA 3 cards from AJA, but the fact they could edit virtually live sports in HD blows me away.Fox also uses FCP for all of their sports coverage, but FCP isn't the only NLE getting use in sports. Turns out FSN South uses Vegas to cut it's promo and bumper material. They say they've cut down days worth of pre-production editing into 14 hours.
Looks like some of the old school is finally getting on board the NLE bandwagon.
Follow the READ link for more info out of this month's TV Technology.

Whenever I think about the components that make a camera what it is; words like fragile, or delicate come to mind. I mean, a light-sensitive computer chip (CCD) should probably be handled somewhat gingerly. Well, Micron Technology believes their video products are tough, and the company is out to prove it.
Videotape is out for this season's
Digital video is helping coaches, players and scouts take their game to a new level. This
Film a winning commercial for BooKoo Energy--a company
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